remove a minolta autocord cds from its case

That camera’s new electronic Copal shutter and automatic exposure system were a hit with shooters looking for a robust camera with semi-auto shooting. In 1974 Minolta had found success with its XE. It has somehow become that guy from high school who everyone fondly remembers, even if no one seems to remember his name. In the uncommon instance that it is discussed, it’s always accompanied by rave reviews. This lack of exposure means that for a few hundred dollars, you can have one of the greatest SLRs ever made, the swan song of Minolta metal cameras and a testament to the company’s dedication to craftsmanship and innovation.īut though the Minolta XD may be rarely flaunted, it’s equally rare to read or hear anything bad about it. It’s rare to see people flaunting the Minolta XD in Instagram camera porn posts, and that’s a good thing for those of us in the know. Those first photos of Virginia cherry blossoms in the spring hinted at good things to come. Three years and a few thousand photos later, there’s no other way to put it the Minolta XD is a magical camera. It arrived freshly rebuilt with just enough time to shoot a test roll and see what the meter would do. I had an upcoming trip to Europe and was planning to take the XD as my main shooter. When the camera arrived, I sent it off for a full tune up without delay. I’d scored my SRT’s replacement for less money than a good case of beer. I bought the lot just to get at the gem hidden within, a Minolta XD. The majority of the cameras were run-of-the-mill, and today I can’t even remember what they were. I found myself in such a situation after winning a batch of cameras for less than thirty dollars. There’s truth to those stories involving online camera auctions and highway robbery. Best of all, this one-time flagship camera was now available for a song, and could often be found for about a hundred dollars. It was smaller and lighter than the SRT, had a much improved meter and a variety of metering modes. It had done the job of getting me hooked on film, but it wasn’t going to follow me much further down the road of my analog journey.Īs I researched what camera would replace the SRT, the XD continued to ping my radar. My personal SRT had clearly seen a lot of these - the film door had to be coaxed into closing, the viewfinder had a crack in it, and the meter needle drooped in depression. I started shooting film with Minolta’s SRT-101, a historical camera that decades after its creation remains an outstanding machine capable of withstanding severe conditions.

Remove a minolta autocord cds from its case